She has taught at Queen’s University, the SummerĪcademy at the Stratford Festival, the University of Windsor, and the University of Of The Map of Early Modern London, and PI of Linked Early Modern Drama Online. Reformation, Journal of Medieval and Early Modern Studies,Įarly Modern Literary Studies, Elizabethan Her articles have appeared in Digital Humanities Quarterly, Renaissance and Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If She has prepared a documentary edition of John Stow’s A With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media ( Routledge). Shakespeare’s Source Study: Audiences, Authors, and Digital Technologies Things and Drawing Boundaries (Minnesota, 2017), and Rethinking Modern Studies and the Digital Turn (Iter, 2016), Teaching Early ModernĮnglish Literature from the Archives (MLA, 2015), Placing Names:Įnriching and Integrating Gazetteers (Indiana, 2016), Making Geohumanities: Art, Text, and History at the Edge of Place (Routledge, 2011), Early In Early Modern England (Ashgate, 2007), New Directions in the Othello (Modern Language Association, 2005), Performing Maternity Studies (Arden/Thomson Learning, 2005), Approaches to Teaching The Fifth Wall: Approaches to Shakespeare from Criticism, Performance and Theatre Modern Society (Brill, 2004), Shakespeare, Language and the Stage, Her bookĬhapters have appeared (or will appear) in Institutional Culture in Early Theatre, Shakespeare Bulletin: A Journal of PerformanceĬriticism, and The Silver Society Journal. ![]() With a memoriall of those famouser acts of charity, London contayning the originall, increase, moderne estate, and government of thatĬity, methodically set downe. As also all the ancient and moderne monuments erected in the churches, Which for publicke and pious vses have beene bestowed by many worshipfull citizensīenefactors. Begunne first by the paines and industry of Iohn Stovv, in the Not onely of those two famous cities, London and Westminster, but (now newly added)įoure miles compasse. Most quests have an option that allows you to negotiate to either avoid combat entirely or give the Hero a powerful advantage in an upcoming fight.Afterwards inlarged by the care and diligence of A.M. Negotiation – Negotiation is one of the two main gameplay aspects of Griftlands, along with Combat. Negotiations are used to intimidate, bribe, haggle, and attempt shakedowns.Battles – Battles are the core gameplay of Griftlands aside from Negotiation. Battles are fought by spending Action Points on cards to use attacks, inflict statuses, and prepare other actions such as gaining defense.Available cards can be customized by enabling/disabling Card Sets in the options before starting a run. Players start with a pre-built deck of 10 cards and build a deck of randomly offered cards that are rewarded through quests, purchased from merchants, or received from random events. Cards – Cards are the central focus of gameplay in Griftlands.Grafts come in two varieties, Battle Grafts and Negotiation Grafts, and each comes in four different grades of rarity: Common, Uncommon, Rare, Boss, and Unique. Each Hero is able to install a limited amount of grafts. Grafts – Grafts are items that can be collected by the player that have a range of positive effects. ![]() Each Hero has their own unique story, map, quests, play-style, and decks. There are three heroes total planned for release. ![]() Heroes are the playable characters in Griftlands.Choose your characters and make a great fortune in the Griftlands! Almost everything is negotiable: money, loyalty, and even morality. Negotiating in this game isn’t a joke, you can either fight or negotiate with different characters. Griftlands offers a new variety of deck-building genres where you can either fight or negotiate. Fight and negotiate your way through a broken-down sci-fi world in this new rogue-like deck-building game – Griftlands.
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